In 2022, the national real estate development investment decreased by 10.0%.

I. Completion of investment in real estate development

In 2022, the national real estate development investment was 13,289.5 billion yuan, down 10.0% from the previous year; Among them, residential investment was 10,064.6 billion yuan, down 9.5%.

In 2022, the housing construction area of real estate development enterprises was 9,049.99 million square meters, down 7.2% from the previous year. Among them, the residential construction area was 6,396.96 million square meters, down by 7.3%. The newly started housing area was 1,205.87 million square meters, down by 39.4%. Among them, the newly started residential area was 881.35 million square meters, down 39.8%. The completed housing area was 862.22 million square meters, down by 15.0%. Among them, the completed residential area was 625.39 million square meters, down by 14.3%.

Second, the sale and sale of commercial housing

In 2022, the sales area of commercial housing was 1,358.37 million square meters, a decrease of 24.3% over the previous year, of which the sales area of residential housing decreased by 26.8%. The sales of commercial housing was 13,330.8 billion yuan, down by 26.7%, of which residential sales fell by 28.3%.

By the end of 2022, the area of commercial housing for sale was 563.66 million square meters, an increase of 10.5% over the previous year. Among them, the residential area for sale increased by 18.4%.

Three, the real estate development enterprise funds in place

In 2022, real estate development enterprises received 14,897.9 billion yuan, down 25.9% from the previous year. Among them, domestic loans were 1,738.8 billion yuan, down by 25.4%; Foreign capital utilization was 7.8 billion yuan, down by 27.4%; Self-raised funds were 5,294 billion yuan, down by 19.1%; Deposits and advance receipts were 4,928.9 billion yuan, down 33.3%; Personal mortgage loans reached 2,381.5 billion yuan, down 26.5%.

Fourth, the real estate development boom index

In December 2022, the real estate development boom index (referred to as "national housing boom index") was 94.35.

Table 1 National Real Estate Development and Sales from January to December, 2022

Click to download:Related data table

Table 2 Investment in real estate development in the eastern, central and western regions and northeast regions from January to December, 2022

Table 3 Real estate sales in the eastern, central and western regions and northeast regions from January to December, 2022

annotations

1. Interpretation of indicators

Investment completed by real estate development enterprises this year: refers to all the investment completed during the reporting period for housing construction projects, land development projects, public welfare buildings and land purchase fees. This indicator is cumulative data.

Sales area of commercial housing: refers to the total contracted area of newly-built commercial housing sold during the reporting period (i.e. the construction area confirmed in the formal sales contract signed by both parties). This indicator is cumulative data.

Sales of commercial housing: refers to the total contract price of selling new commercial housing during the reporting period (i.e. the total contract price confirmed in the formal sales contract signed by both parties). This indicator is the same caliber as the sales area of commercial housing, and it is also cumulative data.

Sale area of commercial housing: refers to the construction area of commercial housing that has been completed for sale or lease at the end of the reporting period, but has not been sold or leased, including the housing areas completed in previous years and completed in this period, but excluding the housing areas that have been completed in the reporting period, such as demolition and reconstruction, unified construction and agent construction, public supporting buildings, real estate companies’ own use and revolving houses, which cannot be sold or leased.

Funds paid by real estate development enterprises this year: refers to all kinds of monetary funds and source channels actually used by real estate development enterprises for real estate development during the reporting period. It is subdivided into domestic loans, utilization of foreign capital, self-raised funds, deposits and advance receipts, personal mortgage loans and other funds. This indicator is cumulative data.

Housing construction area: refers to the total housing construction area constructed by real estate development enterprises during the reporting period. Including the area newly started in this period, the area of houses that entered this period in the previous period and continued to be constructed, the area of houses that were suspended in the previous period and resumed construction in this period, the area of houses completed in this period and the area of houses that were suspended after construction in this period. The construction area of multi-storey buildings refers to the sum of the construction areas of each floor.

Newly started housing area: refers to the newly started housing area of real estate development enterprises during the reporting period, with unit projects as the accounting object. It does not include the construction area of houses that started construction in the last period and continued construction in the reporting period, and the construction area that stopped construction in the last period and resumed work in this period. The construction of the house shall be based on the date when the house officially begins to break ground and dig trenches (foundation treatment or permanent piling). The newly started building area refers to the total building area of the whole building and cannot be calculated separately.

Completed building area: refers to the total building area of all buildings that have been completed according to the design requirements, reached the living and use conditions, passed the acceptance inspection or reached the completion acceptance standard, and can be officially handed over for use during the reporting period.

Land purchase area: refers to the land area where real estate development enterprises have obtained land use rights through various means this year.

Land transaction price: refers to the final amount of land use right trading activities of real estate development enterprises. In the primary land market, it refers to the final allocation of land, the "bidding, auction and auction" price and the transfer price; In the secondary market of land, it refers to the final contract price of land transfer, lease and mortgage. The land transaction price is the same as the land purchase area, and the average purchase price of land can be calculated.

2. Statistical scope

All real estate development and operation legal entities with development and operation activities.

3. Investigation methods

Conduct a comprehensive survey on a monthly basis (except January).

4. Brief description of the national real estate development boom index.

The national real estate development boom index (hereinafter referred to as "national housing boom index") follows the theory of economic cycle fluctuation, is based on the boom cycle theory and boom cycle analysis method, uses time series, multivariate statistics and econometric analysis methods, takes real estate development investment as the benchmark index, selects relevant indicators of real estate investment, capital, area and sales, and excludes the influence of seasonal factors, including random factors. It is compiled by the growth rate cycle method, and is compiled monthly according to the newly added data. The national housing boom index chooses 2012 as the base year and sets its growth level at 100. Under normal circumstances, the national housing boom index is 100 points, which is the most suitable boom level, with a moderate boom level between 95 and 105 points, a low boom level below 95 and a high boom level above 105.

5. Division of East, Central, West and Northeast China

The eastern region includes 10 provinces (cities) including Beijing, Tianjin, Hebei, Shanghai, Jiangsu, Zhejiang, Fujian, Shandong, Guangdong and Hainan; The central region includes six provinces of Shanxi, Anhui, Jiangxi, Henan, Hubei and Hunan. The western region includes 12 provinces (cities and autonomous regions) including Inner Mongolia, Guangxi, Chongqing, Sichuan, Guizhou, Yunnan, Tibet, Shaanxi, Gansu, Qinghai, Ningxia and Xinjiang. Northeast China includes Liaoning, Jilin and Heilongjiang provinces.

How does love affect our lives?

Original title: How does love affect our lives?

Love is one of the most beautiful emotions in life, which has a far-reaching impact on our lives.

First of all, love can bring happiness and happiness. When we fall in love, our brains release chemicals such as dopamine, which makes us feel happy and happy. These chemicals can make us feel more relaxed and happy, so that we are full of enthusiasm and vitality for life. Secondly, love can also bring growth and change. When we fall in love with someone, we will work hard to better meet each other’s expectations, so as to promote our continuous progress and growth. At the same time, we will be inspired and influenced by each other’s advantages, so as to change our own shortcomings and deficiencies. Finally, love can also bring pain and trouble. When we lose love, we will feel heartache and loss, and even lose confidence and hope in life. In addition, love will also make us face various challenges and difficulties, such as communication, trust, mutual support and so on.

Love is a double-edged sword, with both good side and painful side. Let’s learn to face the challenges and difficulties in love while enjoying the happiness and happiness brought by love.

Editor in charge:

The true love of young people in small towns strikes back. Shanghai girls find happiness and true love in his interest

In the concept of dating, Shanghai girl Zhou Jie is indeed a bit "crazy". Under the traditional mindset of marriage equality and matching, Zhou Jie’s road to marriage seems to be getting narrower and narrower. With the increasing age and persistence in the inherent concept of mate selection, Zhou Jie has been "single". Looking at Zhou Jie, who is too high to be low, the girlfriends who are in a hurry have "pulled" her to his interest! Girlfriends think that so many people have successfully found the right partner in their own interests. How can Zhou Jie not?

To tell the truth, although Zhou Jie has always had some difficulties in making friends in marriage and love, and her personality and feelings have always been somewhat cold, she has a well-off family and a rich life working as a dance teacher, which can be called "high quality" in all aspects. No matter in his family in the same city or in his live broadcast room, Zhou Jie’s interaction with her friends will always show her high artistic talent and always attract the attention of many opposite sex. There are more and more opposite sex who take the initiative to chat up Zhou Jie in his interest, but Zhou Jie doesn’t seem to "call" them.

Including Zhou Jie herself and her girlfriends, no one expected the opportunity of true love to come. One day, a young man from Yunnan named Yang Hui finally let Zhou Jie "fall" in love. The two people were introduced to each other automatically by the system through his interesting voice speed matching function. Zhou Jie likes Yang Huifu’s magnetic voice, which is gentle and special. In the following interactive communication, Zhou Jie learned that Yang Hui came from a small town in Yunnan and worked hard in Shanghai alone for many years. She was particularly smart and motivated. Although family background, education and appearance are not as good as Zhou Jie’s, many of Yang Hui’s ideas and attitudes towards some things are surprisingly consistent. Their sense of tacit understanding and mutual understanding make them deeply attracted to each other at the same time.

Every day, there are endless topics to talk about in his interest, and there will be endless happiness when he is with him. Zhou Jie is more and more aware that marriage equality, door-to-door matching and so on are not the whole of true love. Love doesn’t have to be born in the same background, but based on the spiritual harmony and mutual understanding. In this relationship, Zhou Jie and Yang Hui changed each other and grew together. Two people choose each other, Zhou Jie has changed the traditional concept of marriage and love, and the small town guy has also achieved the counterattack of marrying a Shanghai girl.

As a dating service platform that has been committed to building efficient ice-breaking, high-frequency interaction and multi-interest links for single young people, the real high rate of single-off-order of Taqu APP is an accurate cut-in to the actual single-off demand of single groups, and on the other hand, technology empowers single groups to intelligently match the needs of the other half, which greatly reduces the time cost and energy input cost of single young people in finding the right other half, and it is easy to find the right other half in Taqu APP.

The weather is new to the future! Various places have launched colorful New Year’s Eve activities to welcome New Year’s Day.

CCTV News: On the first day of the New Year holiday, colorful lanterns and folk performances in many places will fill the atmosphere of welcoming the New Year. Citizens and tourists enjoy lanterns and special food in the garden and enjoy a relaxing holiday.

Nanchang, Jiangxi: New Year’s atmosphere of picking new year’s goods and hanging lanterns

Near the New Year, the festive atmosphere in Nanchang, Jiangxi Province is strong, and the red lanterns decorate the neighborhood. In the new year’s goods market next to Wanshou Palace, calendars, window grilles, Chinese knots and other new year’s goods have been put on the shelves, filled with festive atmosphere everywhere, attracting many citizens to come and buy.

Citizen Yuan Wei: The new year has a new atmosphere, just having time to buy new year’s goods with my sisters, such as desk calendars and window grilles, to dress up the family and add a festive atmosphere to the family.

Shaoxing, Zhejiang: The temple fair is lively and has rich folk activities.

Buy new year’s goods and visit temple fairs. At the site of the first Shanyin traditional temple fair in Shaoxing, Zhejiang Province, the people in Fuheng Street, with a total length of more than 300 meters, were surging, and various booths were dizzying. There are more than 50 kinds of Shaoxing specialty foods, non-legacy products, etc., as well as a variety of Shaoxing local folk cultural activities.

Tourist Wu Lulu: It’s my first time to travel to Shaoxing, and I experienced the taste of old Shaoxing, which was very interesting.

Nanchong, Sichuan: Bright lights along Jialing River welcome the New Year.

On the banks of Jialing River in Nanchong, Sichuan, the Shangzhongba Bridge and landmark buildings are lit by bright lights, creating a strong festive atmosphere to welcome the arrival of 2024.

Hohhot, Inner Mongolia: The urban landscape is full of brilliance.

Various lanterns are also hung in the streets and alleys of Hohhot, Inner Mongolia. The city under the night is colorful, and the main streets, squares and traffic nodes in the city have set up different lighting landscapes.

Wang Zhandong, squadron leader of the Mobile Squadron of Huimin District Urban Management Bureau, Hohhot City, Inner Mongolia: In Tongdao Street, we mainly use red and yellow lotus leaf lights and flexible light strips, which mainly reflects the theme of "lights for thousands of families".

Xiangyang, Hubei Province: Walking through the ancient streets and feeling the characteristic folk culture.

Visit ancient streets and enjoy folk customs. On the morning of the 30th, Guanjiaxiang Cultural Leisure Street in Xiangyang, Hubei officially opened. The Millennium Old Street is located in the ancient city wall of Xiangyang, and it reappears the fireworks of the city after repair. The block covers different types of formats, such as the display of intangible cultural heritage with local characteristics, cultural and creative shopping, the exhibition of special agricultural products, homestay hotels, etc. The lingering charm of ancient style is integrated with modern commerce, allowing citizens and tourists to truly enter history and feel folk customs.

Citizen Huang Jun: In 2024, with the carp lamp behind us, I wish our life prosperous, carp yue longmen.

Editor: Jassamyn Liu Editor: Liu Liang

Reporting/feedback

Yanjiao High-tech Zone in Langfang: On New Year’s Day, I will stick to "No Fighting"

In order to create a happy, peaceful, neat and orderly holiday atmosphere and make people’s life more convenient and comfortable during New Year’s Day, Yanjiao High-tech Zone in Langfang has been mobilized, deployed and implemented early, and in accordance with the work requirements of "precision, fineness and strictness", it has done a solid job in urban management, created a civilized and harmonious city environment for the citizens, and welcomed the arrival of 2024 with a good urban environment.
Strengthen inspection to create a clean and tidy city appearance
Yanjiao High-tech Zone implements the management mode of combining fixed-point control with mobile inspection in key areas such as large supermarkets, farmers’ markets and primary and secondary roads within its jurisdiction, and promptly corrects problems such as mobile stalls, occupying roads, and littering vehicles, so as to actively discover, dispose of and report quickly, and ensure that the streets are clean and orderly. At the same time, urge and guide the store merchants to consciously standardize the business order, and it is strictly forbidden to operate outside the store, pile things up, and publicize violations during the holiday season to ensure safe and smooth roads and clean and orderly city appearance and environment during New Year’s Day.
Intensive cultivation, dressing up the face of the city
In order to ensure the orderly progress of sanitation and cleaning work during the New Year’s Day, the district supervised the sanitation company to fully mobilize the operators and vehicles, strengthen the management of each operation unit, and earnestly ensure that all work is not relaxed, operating standards are not lowered, and inspections and assessments are uninterrupted during the holiday period. At the same time, we will focus on the cleaning and washing of street furniture, such as urban roads, and the cleaning and cleaning of urban windows, such as railway stations, so as to create a clean, tidy, beautiful and pleasant living environment for citizens to celebrate festivals.
Abide by responsibility and stick to the front line of law enforcement
The district gives full play to the leading role of leading cadres, clarifies post responsibilities, strengthens risk prevention awareness and emergency response capabilities, strictly implements the 24-hour duty and leadership shift system, and promptly handles all kinds of complaints, so that visits, letters and calls can be undertaken, handled and achieved, ensuring the normal operation of various urban management work during the holiday season.
In the next step, Yanjiao High-tech Zone will continue to maintain a high-pressure situation, carry out all kinds of special rectification with high standards and strict requirements, go all out to maintain the order of the city appearance, adhere to the management of the city with "embroidery", take "service first, Excellence" as the new concept of urban management, continuously strengthen the inspection of the city appearance, consolidate the rectification effect and maintain the cleanliness of the city appearance. (Wang Zhihua, Shi Xiaolong)
Reporting/feedback

2017 National Peking Opera Theatre New Year’s Day performance season "Qipanshan" and other major dramas were staged.

  From January 1st to 3rd, 2017, the 2017 New Year’s Day Performance Season of the National Peking Opera Theatre will be staged in Beijing Meilanfang Grand Theatre, bringing together six classic dramas such as Feng Haichao, Qipanshan Mountain, Legend of the White Snake, Yutangchun, Taohua Village and Shiro Visiting Mother. Among them, Qipanshan, performed on New Year’s Eve, is a representative play of the Peking Opera King (Yao Qing) School, with Liu Xiurong and Zhang Chunxiao as artistic directors and outstanding young actors Guo Fanjia and Hao Shipeng as the leading roles.

  Jinghua Times reporter Tian Chao

  ■ Synopsis

  Two pairs of talented people and beautiful women get married.

  The story of Qipanshan, a Beijing opera, is very in line with the appreciation habits of China people. It is a classic play with comedy color, with a relaxed style as the keynote and a happy ending at last. This play is taken from the novel Xue Dingshan’s Expedition to the West. The story takes place during the Zhenguan period of Tang Dynasty. Xiliang invaded the Tang Dynasty, and Li Shimin made a personal expedition, and Xue Rengui was trapped in Suoyang City. Cheng Yaojin broke through and returned to move troops. Prince Li Zhi ordered Xue Dingshan to hang Marshal No.2, Cheng Yaojin to supervise the army, and Xue Jinlian to pledge food and go to the rescue.

  Dou Yihu and Dou Xiantong, the chieftains of Qipanshan, were originally the grandchildren of Dou Jiande, a famous soldier in the early Tang Dynasty, who were skilled in martial arts. Dou Xiantong, in particular, is both wise and brave, and has the talent of a general. When the Tang Jun Grain Escort Team passed by the mountain, Dou Yihu, the elder brother who came to rob the grain, took a fancy to Xue Jinlian. Dou Xiantong, the younger sister, fell in love with Xue Dingshan at first sight. She led Xue Dingshan to Houshan Mountain for an excuse and proposed marriage face to face. Although Xue Dingshan also had a good impression on Dou Xiantong, she didn’t dare to promise, so she was taken up the mountain. Dou Xiantong said to Xue Jinlian, "Go back and tell your mother that I have no intention of hurting your brother. Tell her to leave Cheng Chitose and make decisions with our two families. "

  Cheng Yaojin listened to Xue Jinlian’s shy and implicit return and understood that Dou Xiantong had a crush on Xue Dingshan; After listening to a more shy and implicit report, I understood that Dou Yihu had a crush on Xue Jinlian. He also knew all the ins and outs of Doushi’s brother and sister, and learned that they were descendants of Dou Jiande, so he persuaded Xue’s mother, Liu Yingchun, to agree to these two marriages, and personally went up the mountain as a matchmaker. After some near misses, Cynomorium prevailed, and two couples also tied the knot.

  ■ Highlights

  The story is humorous and full of business.

  Qipanshan is a representative play of Wang School. In the 1970s, famous Peking Opera performers Liu Xiurong and Zhang Chunxiao rearranged it. This is a traditional drama with complete travel, equal emphasis on singing and doing, both civil and military skills, and good listening and watching. The plot is humorous, the stage is fresh and bright, and it is convenient for young audiences to watch. However, it has rarely appeared on the stage in recent years.

  This year marks the 135th anniversary of the birth of Wang Yaoqing, a master of Peking Opera. Liu Xiurong, who is over 80 years old, expressed the hope that you can see the style of Wang Opera through this play. She said, "There are too many representative plays of Wang Opera, but few people can learn it now. Now, when it comes to Peking Opera, everyone knows the four famous artists, but Wang Yaoqing is their master, but few people know it. " She also hopes that all walks of life can pay more attention to the art of Peking Opera King (Yao Qing).

  The first couple in this play are Dou Xiantong and Xue Dingshan, and Xue Dingshan on the opera stage has no high martial arts. He is weak in character, but he is beautiful and handsome. Dou Xiantong, on the other hand, is just the opposite. She is strong in martial arts, strong in character, resourceful and calculating. This contrast in personality is also related to their experiences. Xue Dingshan grew up in Wangfu since childhood, and his previous experience was smooth sailing without any hardships. But Dou Xiantong grew up in a cottage, and his experience was a lot bumpy. Such young people, when they meet in a narrow way, will naturally have a lot of opponents to see. Guo Fanjia, who plays Dou Xiantong in the play, said: "This character should be not only martial arts, but also feminine and lovely. It is really difficult to play."

  Another couple in the play are Dou Yihu and Xue Jinlian. Xue Jinlian is quiet, shy and introverted, and handsome. Dou Yihu is humorous, cheerful, strong and reckless, and full of masculinity. At first, when robbing grain, Dou Yihu met Xue Jinlian. When he was defeated and returned to the mountain to report to his sister, he was not ashamed and was very cute. When such two people meet together, they are also full of jokes.

  Another highlight of the play is Cheng Yaojin’s marriage proposal. Although Cheng Yaojin has ordinary martial arts, he is lucky and a lucky general. Personality is loyalty-oriented, easy-going, Wagangzhai, was elected king. His personality is crude and refined, witty and humorous. It will naturally be interesting for him to deal with marriage events with Dou Xiantong and Xue Jinlian. It is understood that in order to celebrate the New Year’s Day, this series of performances are all public welfare performances with low fares, and the lowest fare is 50 yuan.

  ■ Other wonderful plays

  Repertoire: Feng Haichao.

  Performance time: 2 pm on January 1st.

  Starring: Young Mei Pai Tsing Yi Jia Pengfei, young niche actor Hao Shipeng led the performance, while Lu Kunshan, Yan Shiqi and Gu Qian helped out.

  Introduction: Feng Haichao, a Peking Opera, was adapted by Mei Lanfang from the Qing Palace’s Collection "Circular Preface", originally named "The Tree of Yin and Yang", also known as "Ugly Match", which premiered in Beijing in 1929. The plot is ingenious and full of trades, which is similar to the legendary script Kite Mistake in Qing Dynasty. Xue ‘e’s several passages are gorgeous and unique, lively and ups and downs, and they are like songs, which are well-known aria widely circulated in Mei school.

  Repertoire: Legend of the White Snake

  Performance time: 2: 00 pm on January 2.

  Starring: Outstanding young actors Zhu Hong, Chen Xuzhi, Dai Zhongyu, Dennies Hu, etc. lead the performance, while Chen Guosen, Liu Kuikui, Wang Haoqiang, etc.

  Introduction: The story of White Snake and Xu Xian has been circulated among the people in China for a long time. Now the Peking Opera Legend of White Snake, which is often performed, is performed according to Mr. Tian Han’s version. From the time when White Snake and Green Snake went down the mountain to swim around the lake, to the time when Green Snake destroyed the tower and reunited with Bai Xu, there were plots such as getting married, changing wine, stealing grass, going up the mountain, fighting with water, breaking the bridge and closing bowls. Among them, the "Broken Bridge" is particularly exciting.

  Repertoire: Yu Tang Chun

  Performance time: 7: 30pm on January 2nd.

  Starring: Xunpai Hua Dan actor Song Yixuan, Mei Pai Tsing Yi Zhu Hong, Zhang Pai Tsing Yi Liu Mengjiao and Cheng Pai Tsing Yi Lv Yaoyao starred.

  Highlights: This drama tells the story of Wang Jinlong, a son of a government official, and Su San, a famous prostitute. The drama "Su San Qi Jie" and "Three Trials" are classic passbook dramas, which have been performed by various schools. This time, the young inheritors of the four schools of the National Peking Opera Theatre gathered together to perform the complex and beautiful role of Su San with the characteristics of their respective schools.

  Repertoire: Peach Blossom Village

  Performance time: 2 pm on January 3rd.

  Starring: Outstanding young actors such as Zhang Yixin, Bai Yang, Yang Wei, Pi Rui and Zhang Yandong.

  Aspect introduction: outside the Taohua Village

  Yu Yan, the daughter of Liu Deming, and Chunlan, the maid, went to the flower field to have a spring outing and choose a husband. Bian Ji, a scholar from Lu Yu, fell in love at first sight. Unexpectedly, after some twists and turns, through the mediation of Lu Zhishen, Biansheng and Yuyan finally got married.

  Repertoire: "Shiro Visiting Mother"

  Performance time: 7: 30pm on January 3rd.

  Starring: The play brings together national first-class actors Tian Lei, Bi Xiaoyang and Xu Mengke, and outstanding young actors Li Bo, Guo Xiao, Liu Qi, Sina Zha, Bai Yang and Jin Xing.

  Highlights: The play is based on Yang Jiajiang’s story. The whole play has a deep description of the characters’ feelings, and has done enough articles on the word "human feelings". Against the background of the confrontation between the two armies and the tense situation, Yang Silang, who was trapped in a foreign country, risked his life and sneaked out to visit his mother. Endless feelings of parting, hating and missing bring us together and apart.

China-Central and Eastern European SMEs’ Video Information Exchange and Fair Held in Beijing

  Cctv news(Reporter Li Yinan) On June 16th, China with the theme of "Smooth information exchange and activating enterprise cooperation" — The video information exchange and fair for SMEs in Central and Eastern Europe to resume their work and production were held at the main venue in Beijing and Cangzhou Branch. China was officially launched at the meeting — An online service platform for SMEs in Central and Eastern Europe, and a list of information and activities of SMEs from China and Central and Eastern European countries.

Speech by lu shan, Deputy Director of the European Department of the Ministry of Foreign Affairs

Speech by lu shan, Deputy Director of the European Department of the Ministry of Foreign Affairs

  Lu shan, deputy director of the European Department of the Ministry of Foreign Affairs, said in his speech that with the improvement of epidemic situation in various countries, both China and Central and Eastern European countries are facing new challenges in restoring their economies and ensuring people’s livelihood, and accelerating the resumption of work and production and restoring economic and social order has become the common goal of all governments. For China and Central and Eastern European countries, small and medium-sized enterprises are not only an important source for countries to maintain economic vitality, but also a "main force" to absorb employment, shouldering the livelihood needs of thousands of families in Qian Qian. Since the outbreak of the epidemic, the China Municipal Government has actively taken measures to provide strong support for boosting the development momentum of small and medium-sized enterprises in China from the aspects of expanding total demand and increasing financial support to market players. At the same time, China is also willing to strengthen information exchange with Central and Eastern European countries, build more platforms for SMEs of both sides to resume work and cooperation, and minimize the impact of the epidemic on the development of SMEs in various countries. Lu shan expressed the hope that all parties will focus on strengthening cooperation in resuming work and production, cultivating new growth momentum, making good use of platforms and expanding cooperation, and actively set up a "fast track" for business people from relevant countries to resume work and production in China.

Mario Antuoni, State Secretary of the Croatian Ministry of Economic Affairs, delivered a speech by video.

Mario Antuoni, State Secretary of the Croatian Ministry of Economic Affairs, delivered a speech by video.

  Mario Antuoni, State Secretary of the Croatian Ministry of Economic Affairs, delivered a speech on the cooperation between the two sides. He said that the economy of small and medium-sized enterprises in Croatia is under great pressure due to the epidemic situation, and the cooperation platform between 17 countries in Central and Eastern Europe and China can play an important role, and achieve mutual benefit and win-win through complementary advantages. He believes that this exchange and dialogue is an important manifestation of cooperation and exchanges between the two sides, and hopes to further strengthen China — The economic cooperation of small and medium-sized enterprises in Central and Eastern European countries ensures that small and medium-sized enterprises can rely on stable economic policies and a strong business environment to alleviate the economic pressure caused by the epidemic.

On-site check-in of the participating guests

On-site check-in of the participating guests

  The meeting was hosted by China — Secretariat for Cooperation of Central and Eastern European Countries, China — Sponsored by the Cooperation and Coordination Mechanism for SMEs in Central and Eastern European Countries (led by Croatia), SME Development Promotion Center of Ministry of Industry and Information Technology, Cangzhou Municipal People’s Government, China — Organized by the Central and Eastern Europe (Cangzhou) SME Cooperation Zone, a total of 157 SMEs from China and 135 SMEs and institutions from Central and Eastern Europe participated in the online meeting, and conducted economic and trade negotiations in accordance with the four sections of "Industry, Industrial Manufacturing", "Trade and Investment, Agriculture", "Tourism, People-to-People Exchange" and "Health Care", and signed 29 memorandums of cooperation and reached 19 cooperation intentions.

Xia Yan: Simple and Pure Personality and Style of Writing

Since the 1930s, when people evaluate and discuss Xia Yan’s literary and artistic creation and its individual characteristics, they tend to be associated with key words such as realism, refinement, dilution and significance. Just as in July 1943, Ye Shengtao wrote a poem for Xia Yan’s play "Fascist Bacteria", which was well received by all walks of life in Chengdu: "Xia Yan’s style is simple and clear, and Chinese drama art is well-known. I am glad to hear that today’s two difficulties are combined, and I will see the glory moving to Jincheng. " It has to be said that simplicity and elegance are not only the artistic style of Xia Yan’s masterpiece Fascist Bacteria, but also the consistent and beautiful experience brought to readers and audiences by a large number of well-known chapters left by Xia Yan’s various creative practices for more than 60 years.
Xia Yan
Beyond written expression, stage performance, screen projection and other media forms.
The historical situation of the modern world and modern China, especially the development trend of "left-wing" culture and revolutionary literature and art since the May 4th New Culture Movement, together with the integration of China and foreign countries, the intellectual literacy and the literary talent with pure nature and flourishing heart, not only prompted Lu Xun, Guo Moruo and other outstanding ideological enlighteners to give up their own "scientific" ambitions and embark on the road of soul salvation, but also "abandoned their jobs and joined the literature" for young Xia Yan and became China.
According to incomplete statistics, in the whole 20th century, during his revolutionary career and writing practice of more than 60 years, Xia Yan occasionally dabbled in or intensively worked on investigation reports, translated works, current affairs reviews, movie scripts (original or adapted), drama scripts (original or adapted), reportage, short stories, poems, radio plays, news interviews, close-up editorials, newspaper supplements, essays and essays. He has also published or published far-reaching works in the fields of film, drama and literature theory and criticism, wandering freely between creation and theory and criticism, and galloping between originality and translation and adaptation. His carrier spans many different media forms such as written expression, stage performance, broadcast transmission and screen projection. Although in the history of modern culture, many intellectuals have intentionally or unintentionally devoted themselves to this rich and diverse cross-media writing, it is rare to see such extensive, in-depth writing practice as Xia Yan’s, which has made great achievements.
It is particularly noteworthy that Xia Yan’s cross-media writing always meets the needs of the times and reality, and has been developed and gradually completed in his social activities and revolutionary practice. In this process, Xia Yan always turned to many teachers, worked diligently and quietly, and integrated his unique social experience, personality characteristics and spiritual temperament into different genres, themes and media, forming a simple and elegant personality and style of writing. During the "Left-wing League" period, Xia Yan was deeply influenced by Qu Qiubai, and changed and rewritten the seemingly ordinary news report in the newspaper to make it a literary work with ideological significance, artistic appeal and stronger "accusation", so as to freely switch between news style and literary style. Tian Han also made it clear in the preface to "A Story of Sorrow for the City" that Xia Yan’s accomplishment as a journalist is also very helpful to the playwright. In his view, without the sensitivity of the times and familiarity with and insight into social events, Xia Yan might not have written such excellent modern dramas as One Year, Heart Prevention, and A Story of Sorrow for the City. At the same time, Xia Yan’s theory of time or plays made people feel "consistent and sincere thoughts of worrying about the time".
Because of this, Xia Yan will constantly change his professional identity and try to write across the media according to the situation and needs, at least in the fields of reportage (Bonded Worker), drama script (Under the Roof of Shanghai), film script (Spring Silkworm, Blessing, Lin Jiapu) and film theory criticism (Several Problems in Writing Film Script).
Xia Yan (middle) is with Ba Jin (left) and Bing Xin. Information picture
Explore the different characteristics of reportage, stage performance and screen projection
Xia Yan’s great achievements in the field of cross-media writing not only depend on his extraordinary diligence and talent, but also benefit from his mastery of unique media characteristics.
In fact, although the writing of reportage, drama script, film script and even film theory criticism is ostensibly a literal grasp or literary expression, he knows better than anyone that the real audience of these different genres of writing is not "readers" in the general sense, but readers, listeners and audiences who want to gain different insights and inspirations through various media.
Due to specific historical reasons and his important position in modern literature and drama film movement, when Xia Yan entered reportage, drama script and film script creation, he basically had a relatively direct dialogue with the corresponding social groups, stages and cinemas. Therefore, the literariness of writing is always intertwined with the publicity of social concern, the drama of stage performance and the cinematic nature of screen projection. Because of this, this unique cross-media writing must be based on accurately grasping the media characteristics of reportage, stage performance and screen projection, that is, "writing for society", "writing for stage" and "writing for screen".
As far as writing for the screen is concerned. Film is an imported art form. When the "Party’s Film Group" led by Xia Yan was ordered to work as a screenwriter and write film reviews in Shanghai Star Film Company, he should have no personal experience of film as a media characteristic different from literature. However, the great achievements of China’s "Left-wing" film movement can’t be separated from Xia Yan and others’ recognition of the media characteristics of film as a new audio-visual carrier, and their extraordinary efforts in watching one film after another, learning over and over again, and analyzing one frame at a time. Only by truly understanding the characteristics of the narrative, picture, editing, rhythm and genre of movies that are different from those of literature and drama, can Xia Yan win the trust of film directors and production companies more smoothly, and lead the times with a number of excellent plays such as Wild Flow and Spring Silkworm, and create classics in film history. Until 1958, Xia Yan still regarded film plays as a special "business" and a special "learning" with its own special laws and similarities and differences with drama and literature.
It is precisely because we always attach importance to the special laws and media characteristics of film plays that Xia Yan’s "Blessing" and "Lin Jiapu" adapted from Lu Xun’s and Mao Dun’s novels will conquer audiences at home and abroad with their cinematic viewing experience and screen charm, and become simple, elegant and meaningful model works in film history.
The picture of the film "Lin Jiapu" written by Xia Yan.
Expect creators and actors to "have more real life in the play and less drama in the real life"
From beginning to end, Xia Yan kept his dual mission of revolution and literature and art in his heart and shouldered it. What is even more commendable is that Xia Yan did not easily devalue the aesthetic function of literary and artistic creation because of his revolutionary cause, or put aside his spiritual appeal of directly attacking the human soul. On the contrary, a revolutionary’s affinity and intellectual’s bookish spirit always lingered between Xia Yan’s lines, showing a clear track of increasingly profound realism and charming charm in his simple and elegant style of writing.
Xia Yan’s pursuit of realism is not only related to his "engineering" experience in his youth, but also related to his social mission as a professional revolutionary. Similarly, the pursuit of realism is not only a broad road for the May 4th Movement to forge ahead for modern literature, but also inseparable from Xia Yan’s personal temperament of being good at facing reality, always caring for the people and loving the world.
In an article, Wu Zuguang once pointed out that reading Xia Yan’s works, whether scripts, essays or political sketches, will make people think of Chekhov’s "conciseness" and "significance"; Even in appearance, Xia Yan and Chekhov, holding a cane and holding a pipe, look like "quietly observing the world", which is the realistic feature of Xia Yan’s creation. In the screenplay Spring Silkworm, the silkworm breeding nest and rural life are almost recorded, and the colorful metropolis features and all kinds of people in the screenplay Spring Silkworm, the drama screenplay A Corner of the City and Under the Roof of Shanghai, as well as the "realistic description of the characters as much as possible" in the large historical drama Sai Jinhua, have all made important contributions to the development of China’s realistic movies and dramas. The drama One Year is also called "calm and promising realism" by literary historians.
Of course, in the "quiet observation" of the world, Xia Yan showed his calmness in facing the reality and his kindness in caring for the common people. However, he also emphasized more enthusiasm and abundance in going deep into life and discussing the "inner revelation" and "spiritual world" of the characters, and asked the creators and actors to "have more real life in the play and less drama in the real life". From the inside out, we should respect the inevitability and rationality of facts, environment and characters’ words and deeds, and master the accurate proper limit based on reality and the original appearance of human nature, without making useless cries or malicious concealment. This creative practice and literary concept saturated with Marxist humanitarianism can not only appreciate its elegance in Blessing and Lin Jiapu, but also give endless influence and inspiration to later generations.
Indeed, Xia Yan’s simple and elegant writing style, his successful cross-media writing, his unique grasp of media characteristics and his profound pursuit of realism complement each other, making outstanding contributions to China’s culture and art in the 20th century, and leaving a valuable cultural and artistic heritage for future generations. (Li Daoxin, Vice President of Peking University Art Institute, "Changjiang Scholar" distinguished professor)
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Small dining table records 40 years of living standards, and people’s dining consumption has increased by 474 times.

  On April 25, 1993, Xinyuanli grocery store in Chaoyang District had a variety of goods, which fully met the shopping needs of citizens. Zhang Fengshe

  In the past, expensive white-flour steamed bread has now become a common staple food. Eating a foreign fast food has also changed from a "luxury consumption" to a daily consumption. More Chinese food companies have gone out to sea to make money, and the scale of China’s catering market has climbed 700 times … … Over the past 40 years of reform and opening-up, the changes on the small dining table have permeated the ups and downs of ordinary people’s lives, recorded the continuous improvement of ordinary people’s living standards, and witnessed the rapid changes in China’s economy and the improvement of China’s comprehensive national strength.

  Dining table memory

  Meng Xianqi, who lives in Chaonei Toutiao Community in Dongcheng District, is 75 years old. The old man was born in the age of material shortage. When he mentioned the changes on the dining table, what the old man wanted to share most was his story with half a bowl of noodles and a drawer of steamed bread.

  "Not enough noodles, vinegar to gather together"

  In 1979, Meng Xianqi was still a graduate student at Beijing Normal University. One morning, I went out shopping and sending things with my classmates. After I finished, I had to eat out after school. They searched for a long time and found a Daoxiao Noodles Pavilion in Xisi. They only had half a catty of food stamps, which was only enough to buy a bowl. What should we do? Only two people can share it, and one person has two and a half. There is not enough food for two people! Just don’t know what to do, Meng Xianqi saw the vinegar on the table, and vinegar doesn’t cost money. So the two men poured vinegar fiercely. "The noodles are not enough, and the vinegar will come together." Everyone poured a small bowl, and their eyes were so sour! The old man said that up to now, after passing through Xisi, there will still be acid reflux in his stomach.

  Yiti steamed bread quanjiarang

  In 1985, at that time, I still bought food on a monthly basis. Meng Xian started out with a weight of more than 110 kilograms. Two sons, one in the sixth grade and the other in the third grade, were able to grow up. Every month, there was not enough food at home. At the end of the month, he became worried and had to borrow it from relatives and friends.

  Meng Xianqi recalled that flour and rice, that is, white flour and rice, only accounted for 20% of the 110 kilograms, and the rest was corn flour. When cooking, my wife steamed a steamed bun and a steamed bun, and the steamed bun was divided equally between the father and the son, and I didn’t eat any. At this time, Meng Xianqi took out his own steamed bread and gave it to his wife. The children also learned from their father and took out one for their mother. And his wife always said, "Your father has a bad stomach, and eating coarse grains is uncomfortable;" You are growing up and need nutrition. Mom has a good stomach and good health. It doesn’t matter if she eats more coarse grains. " Say that finish and then return the steamed bread, so that you can push me for a while. Every time I think about these old people, I feel uncomfortable.

  Dining table change

  Not only should we eat enough, but we should also eat healthily and well.

  With the development of economy, food and non-staple food are constantly enriched, and food stamps can also be used to buy steamed bread and cakes in the street and in the canteen of the unit; Later, the food ration and food stamps were cancelled, and all kinds of pasta were available in the market. Originally, the steamed bread that had to be let go at the dinner table became the most common staple food, but the food made of coarse grains was more expensive. This expensive and cheap change is the great enrichment of the material life of ordinary people for decades. People no longer just pursue full food, but also eat healthily and well.

  Not only staple food, but also various vegetables and aquatic products are now extremely rich. If 40 years ago, vegetables were "what you eat", it was nothing more than cabbage, radish and potato. Today, 40 years later, there are so many kinds of vegetables that you can’t name them, and you can have whatever you want. In the past 40 years, with the area of cultivated land reduced by nearly 60%, the output of major agricultural products has increased dozens of times. While the number of agricultural products is extremely rich, the variety of agricultural products in Beijing has also achieved diversified and high-end development, especially the promotion and planting of special dishes and out-of-season vegetables, which not only enriched the "rice bag" and "vegetable basket" of the capital, but also made the citizens feel a real sense of gain and happiness.

  Dining table "import"

  The influx of foreign catering brings new tastes and changes.

  On November 12, 1987, the first restaurant in China of KFC opened at No.1 Zhengyang Market, Qianmen West Street, which was also the first foreign-funded restaurant to enter China. On the opening day, it attracted countless customers who came to try early adopters. "All of them were discharged from the door to the other side of Qianmen Street." According to an old employee of KFC, "People are curious about what fried chicken sold by KFC looks like. Many people hold pots to hold it, and some people think that eating chicken is just about buying it, so they will say: ‘ Give me two KFC … … ’”

  At that time, a piece of original chicken from KFC cost 2.5 yuan and a set meal from 7.8 yuan. In 1987, the monthly income of ordinary cadres in China was only about 100 yuan. Therefore, in those days, eating KFC was considered a high consumption. The average family would order a set meal for their children, and the parents would have to eat a little bone left after eating. Some couples chose KFC as the wedding venue. It is reported that the highest single-day turnover of the former store was as high as 160,000 yuan, setting a world record for KFC at that time.

  After KFC settled in Beijing, McDonald’s opened a shop in Shenzhen in 1990, and Pizza Hut, Starbucks, Yoshinoya, etc. also poured into the China market. These international brands of foreign catering not only enrich the catering market, but also bring more diversified catering culture to China consumers. Their advanced management mode has also given a vivid lesson to a number of domestic catering enterprises.

  Dining table "exit"

  Chinese food goes to sea to become the representative of China traditional culture.

  At the same time, as a gourmet country, Chinese food, which represents China’s traditional culture, has been trying to go abroad. In recent years, China Cuisine Association has continuously organized catering enterprises to actively participate in overseas exchanges, skill competitions and exhibition activities, etc., to promote Chinese food culture to the world. According to incomplete statistics, Chinese restaurants have settled in 188 countries and regions in the world during the 40 years of reform and opening up, and the number of restaurants is as high as 200,000. Leading catering enterprises such as Quanjude, Meizhou Dongpo, Haidilao, Huajia Yiyuan and Dadong have successfully expanded overseas markets. According to a survey in new york in 2018, Chinese food has become the most representative element of China traditional culture in the eyes of overseas respondents.

  Near the Harvard campus, Chinese restaurants such as "baobao" steamed stuffed bun shop, Hong Kong House, flame, and Nanbei Jiayuan all have considerable influence. Chinese food is a popular form of catering for local students.

  In new york, known as the capital of the world, Chinese restaurants can be found everywhere. Especially in Manhattan, there have been some restaurants that are very suitable for China’s local tastes. However, considering the acceptance, most Chinese restaurants in the United States will make adjustments to the tastes of local people, such as frying more, being sweeter, being less spicy, etc., and American Chinese food like Zuo Zongtang chicken has also appeared.

  The popularity of Chinese food is inseparable from the prosperity of the motherland, the improvement of Chinese social status and the improvement of Chinese food environment and service.

  Our reporter Sun Wenwen

Fukuhara Ai retired, but the story of table tennis between China and Japan continues.

  CCTV News:If one day any foreign table tennis player can win a medal in the Olympic Games, I hope it is Fukuhara Ai;

  If one day I can only support one foreign table tennis player, I think it will be Fukuhara Ai.

  There are less than 100 days before 2019 and less than two years before the Tokyo Olympic Games, so without warning or a trace of preparedness, Fukuhara Ai told us that he had retired.

  Fukuhara Ai Weibo announced his retirement.

  Fukuhara Ai is probably the first Japanese athlete who received a blessing from netizens in China because of his retirement. As of press time, the Weibo that she announced her retirement has received more than 70,000 reposts, more than 70,000 comments and more than 620,000 likes. I wish her a happy life.

  Fukuhara Ai is probably the first Japanese athlete who "alarmed" the Ministry of Foreign Affairs of China because of his retirement. At the regular press conference of the Ministry of Foreign Affairs on the 22nd, Hua Chunying, a spokeswoman for the Ministry of Foreign Affairs, said that Fukuhara Ai was "loved not only by the Japanese people, but also by many people in China" and was "very cute, and also had outstanding performance in the field of table tennis".

  As of press time, Fukuhara Ai announced his retirement from Weibo’s comment 7w+, forwarded 7w+ and liked 62w+

  Fukuhara Ai, who has a round face and a crisp smile, can be said to be a Japanese athlete "watched and grown up" by netizens from China and Japan. Fukuhara Ai has been training under the guidance of coach China since he was five years old. In the long run, Fukuhara Ai has also forged a deep friendship with China players and even China. In addition to being beaten and crying in the game, Xiao Ai also shed tears in the Wenchuan earthquake in 2008. She has always been a lively wave and she is quite depressed in front of the reporter’s camera. "Japan went to 60 people (rescue), so xx is not enough. I am going, at least 61 people." It is this lovely appearance that left a deep impression on China fans, and Fukuhara Ai also had a nickname "porcelain doll". Familiar fans can know a little about her.

  Knowing that four-year-old Xiao Ai participated in the national competition for the first time, she lost her shoes happily when winning, and cried in her mother’s arms after losing; Knowing Xiao Ai’s stubbornness with tears in her eyes and insisting on finishing the training task; Knowing that Xiaoai can say "dry ha" with an authentic northeast accent, knowing that Xiaoai and table tennis players have close feelings, he brings him Japanese cookies every time he meets ZhangJike; I also know that Xiao Ai fought against the three generations of big devils of China table tennis women’s team from Zhang Yining to Li Xiaoxia and then to Ding Ning … …

  The great devil of running water, Fukuhara Ai made of iron. Fukuhara Ai rarely wins against China athletes in international competitions, and his career has been shrouded in the shadow of the "big devil" of table tennis, which is helpless. The advantage of China table tennis team, especially the women’s team, over other players is hellish.

  Fukuhara Ai made his first sound after he announced his retirement, thanking the fans in China and China.

  It’s really distressing that Fukuhara Ai tried her best but couldn’t win, but that doesn’t prevent her from making great contributions to the rapid development of Japanese table tennis. He was selected to the national team at the age of 12 and made his Olympic debut at the age of 15. From 2003 to 2016, Xiao Ai gradually became the absolute core and leader of Japanese women’s table tennis. The younger generation regards her as an idol. Japanese table tennis player Ito Meicheng once said: "Looking at Captain Fukuhara, I know very well that it is not easy for her to bear the name of Japan. If I can become a captain in the future, I also want to be a player like her."

  Under her leadership and influence, a new generation of Japanese players also became attached to China. These players, who were trained in China since childhood, or developed under the training of China coaches and sparring partners, helped Japanese table tennis to make rapid progress, but also laid a deep "China brand". With Fukuhara Ai, a beloved predecessor, as an example, they also gained a lot of "audience affinity" in China.

  More importantly, with Fukuhara Ai’s great concern and the continuous improvement of Japanese table tennis level represented by her, the Japan Table Tennis Association is also making great efforts to develop this sport. Since 2003, the Japan Table Tennis Association has established a national team for primary school students, adjusted the training mechanism of age groups, conducted regular closed training and overseas competitions, and strengthened the training of grassroots coaches. In 2008, the Japan Table Tennis Association built a national training center in Tokyo, and absorbed some professionals including coaches from China and other places, which became the training base of the Japanese table tennis team. Moreover, the Japanese table tennis team has established a system of substituting competition for training, and specially trained a group of players to participate in the world series of adult groups from the age of fifteen or sixteen, which made them feel the atmosphere of the competition ahead of the players of the same age in our country and increased their competition experience.

  In the past two or three years, we can see that although the national table tennis still has absolute advantages, Japanese table tennis has made rapid progress. On the men’s team, Zhang Benzhihe, whose parents are both from China, has defeated Malone, ZhangJike and Fan Zhendong successively. On the women’s team, Meicheng Ito defeated the world champion Liu Shiwen in this year’s team table tennis World Cup finals. It can be seen that Japan’s challenge model to China has taken shape.

  As we all know, from the ITTF to the national associations, from the constant changes in table tennis materials to the changes in the points system and the addition of mixed doubles, it is a "clear thing" to try to limit the absolute advantage of China, and the China table tennis team is also happy in this "encirclement and suppression". Because in the long run, it will do more good than harm to table tennis and the China team. After all, for sports, only more intense competition and stronger suspense can attract more audiences and promote the technical level to a higher level.

  Next, Tokyo, Japan, in 2020 is the focus of preparation and competition between China and Japan in the past four years.

  Wait and see!

  (Text/Liu Chang Zhu Xinyu)